Brave New World? Justice For Creators in the Age of Gen AI

AOP Ao-Authors New Report Revealing Generative AI’s Destruction of The UK’s Cultural Sectors

Press Release, 30 January 2026

At 1.30pm, Thursday 29 January 2026, the AOP, along with four other leading creator-led organisations, all members of the Creators’ Rights Alliance (CRA), made a stand at the heart of London’s Knowledge Quarter, Granary Square, Kings Cross, for the true picture of Generative AI to be revealed: that of the industrial-scale theft of the UK’s cultural riches, which if left unchecked will lead to the collapse of the core success of the UK’s creative industries – its professional creators.

©️ Ozzy Nada

Drawing on recent surveys and published information from these five major creative organisations, the report represents over 80,000 individual creators, including photographers, musicians, writers, literary translators, illustrators and performers, clearly outlining the impact on their members’ livelihoods.

Generative AI continues to be sold to the British public as a major driver of growth: a supposedly rapidly advancing technology that promises a new frontier of innovation,limitless productivity and economic growth. Yet the ‘Brave New World? Justice for Creators in the Age of Generative AI’ report highlights the risks facing individual creators: from job losses and declining income to the diminishing visibility of human-created work in a generative AI-driven marketplace. Unprecedented times call for unprecedented measures.

Isabelle Doran, CEO Association of Photographers, Vice Chair, Creators’ Rights Alliance, says
of the report, 

“In this brave new world of AI, we are specifically concerned with generative AI, which for us mimics human originality, taking away not only the heart and soul of what it means to be a photographer or image maker, but also severely crushing their livelihoods.”

The AOP and its members, alongside the Independent Society of Musicians (ISM); Society of Authors (SoA); Equity; and Association of Illustrators (AOI), will launch the ‘Brave New
World? Justice for Creators in the Age of Generative AI’ report in person on Thursday 29 January 2026 at 1.30pm at Granary Square, London, N1 in the heart of London’s Knowledge
Quarter.

In 2026, the UK stands on the brink of losing the core of an entire sector; a sector that brings not just jobs, money and global prestige, but also cultural currency, soft power and societal
benefits. Its world-leading creative industries supercharge the UK’s national identity and global influence, connecting communities at home and abroad.

Generative AI services have been unleashed into the UK without regulation, safeguards or guardrails, and are shaking the foundations of the UK’s creative sector worth £124.6 billion,
supporting more than 2.4 million jobs  – (https://www.thecreativeindustries.co.uk/facts-figures/there-are-an-estimated-2-4m-
creative-industries-jobs-in-the-uk) and approximately 50,000 professional photographers.

Photography, music, literature, performance and art, the cultural soul of the nation, face a real and existential threat from generative AI programs trained on original human-authored works without permission, payment or transparency. The result is an intellectual property free-for-all with overseas tech firms profiteering from creators’ works while creators see their livelihoods disappear.

A newly published AOP survey of its professional photographers (27 January 2026 – https://www.the-aop.org/uploads/aop-member-survey-copyright-ai-january-2026.pdf)
shows a concerning picture, where a year on from their last survey (published in the Brave New World report) income is down by 142%, with members losing an average of £35,000
p.a., and the number of commissioned images being licensed also significantly reduced by – 65%, along with less photographs being uploaded to their websites -46%. As one AOP
Accredited Photographer member explains, “It’s hard to quantify fully but my business turnover is down over 60% from last year – so £50K – £100K.”

The destruction we’re witnessing is digital – silent, invisible and global. The ‘Brave New World? Justice for Creators in the Age of Generative AI’ report details the risks: shrinking incomes, a marketplace shifting under pressure, widespread theft of intellectual property, the transfer of that IP value to overseas monopolies, and digital replication that puts style and identity itself at stake.

The training of generative AI programs also raises serious human rights concerns; the unauthorised use of creative works violates both privacy and intellectual property rights.
Everyone is encouraged, through intense hype and the fear of being left behind, to upload their personal and professional work.

This timely report highlights the rapid displacement of human creators, which is undermining the right to work and fair remuneration under Article 23 of the Universal Declaration of
Human Rights. It also points to the serious environmental consequences; the vast carbon footprint of AI data centres and training models cause environmental damage that directly contradicts the UK’s net-zero commitments.

In its ambition to be ‘world-leading’ in AI, the UK Government risks favouring overseas monopolies, predominantly US-based, over British creativity and talent. Without urgent regulation that supports transparent data practices, fair remuneration, and protecting the style of creators, the UK risks dismantling one of its most successful and socially valuable growth industries.

The UK has always been a pioneer in supporting creativity and innovation, from the invention of the first photographic process, the printing press, and the birth of the modern copyright
framework. It has the ingenuity, the institutions and the international reputation to get this right as well as a unique opportunity in the current geopolitical situation to secure greater industrial independence from those that might seek to dominate.

There is an opportunity for the UK to be a pioneer once again, setting the global standard for ethical AI that rewards creativity, supports innovation and restores trust in its gold-standard
copyright framework. Professional creators are not asking for protectionism, but for a principled, practical framework in which AI works with creators, not against them.

For more information and interview requests please contact Sam Trenerry –
[email protected]

NOTES TO EDITORS

About the Association of Photographers (AOP)
The Association of Photographers (AOP) was first formed in 1968 and is one of the most prestigious professional photographers’ associations in the world. It exists to protect, promote and inspire, championing the rights of all photographers and campaigning tirelessly on issues of copyright, best practice, and professionalism.

Its 3,000 members include professional photographers, photographic assistants, photography agents, affiliated businesses, students, accredited photography courses at FE and HE level, and those working in support services for the Creative Industries. It is part of a
greater network under the umbrella of the British Photographic Council which collectively represents around 15,000 creative professional image-makers in the UK.

The AOP membership has always been formed of some of the most influential, trailblazing photographers in the history of the art form. Past and present members include the likes of Terence Donovan, Rankin, Tim Flach, Nadav Kander, Tessa Traeger, David Bailey, Julia
Fullerton-Batten and Jillian Edelstein. For over 50 years, members’ work has appeared in global advertising campaigns, books, newspapers, magazines, exhibitions and cultural events the world over.

Today, whilst its members explore and contribute to the development of the new realms of image technology at their disposal – the Association continues its mission to promote and protect the rights of individuals, which includes working closely with a range of All-Party Parliamentary Groups and creative industry representative organisations, such as the British
Copyright Council (BCC) and Creators Rights Alliance (CRA), and importantly provides support to the next generations of photographers and image-makers through our close relationship with a growing number of universities

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